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- The image and characteristics of Silvio in the story Shot
Silvio is the main character of Belkin's story "The Shot". He was a retired officer, at the time of the story he lived in the outback. By character he was a rather strange and mysterious man. Silvio was a noble, honest man. Often military men come to his house, whom he generously treats, feeds, and keeps up the conversation. His comrades love him, his former colleagues communicate with respect.
Silvio rarely talks about his personal life or the past, although he himself is actively interested in his comrades and willingly listens to their stories. He does not answer questions about his personal life directly, so almost no one knows anything about his past life.
Everyone knows that Silvio is an excellent shooter. He read a bunch of literature about how to properly handle weapons; almost no one could compete with him in shooting ability. He is a true master in the matter of weapons.
Most of his comrades believe that he has something to hide, that there is some terrible secret in his life, which is why he behaves so secretly and does not tell anyone about his life. Many people want to find out why he behaves this way, but no one manages to solve the mystery.
One day a letter arrives at the office, after which Silvio’s behavior changes significantly. After it arrived, Silvio decides to leave as quickly as possible. And finally Silvio decides to tell one of the officers about what has been tormenting him for so long.
As it turned out, many years ago, in order to take revenge in the hussar regiment on the person who offended him, he decides to kill the offender. But at the most crucial moment, he realizes that he cannot kill a man who has his whole life ahead of him, with a beautiful young wife and prospects. He shoots at the painting and leaves the offender alive.
In this situation, Silvio showed real nobility. He had stable and serious moral principles. He did not satisfy his own ambitions, but left his offender alive. He acted with dignity and honesty, sacrificing his wounded pride for the sake of another person and his prosperous life. This act truly deserves respect.
Option 2
The story “The Shot” is part of the cycle “Tales of the late Ivan Petrovich Belkin,” which was written in 1830 by the writer Alexander Sergeevich Pushkin. This work tells about the six-year wait for revenge and its implementation. The main character of the story is retired officer Silvio.
Silvio is a retired hussar, living a calm, measured life in a small town. This is a 35-year-old man, smart, mysterious, with a tough temper and a malicious tongue. In addition to all of the above, the former military man was an excellent shooter, knew how and loved to shoot, and had a lot of literature in his personal library about weapons and shooting techniques. Despite his sociability and ability to charm people, no one knew almost anything about this hero. No one even guessed why he resigned from the hussar regiment, why he went to live in the outback.
One day, a regiment will be stationed in the city of the protagonist. Silvio invites officers to his house and every evening there are gatherings in his house, where the officers play cards, drink, smoke and tell stories from their service, war and life, which the owner of the house listens to with pleasure and special curiosity. Despite his mixed company of people, absolutely everyone knows that he is a decent and honest person who backs up his words with deeds.
This is how the main character spends his time until he receives a letter from which he was clearly excited. A little later, he decides to leave, to leave these lands and gathers all his acquaintances and friends for dinner before leaving. Over this dinner, he tells one of the officers his life story.
From the story we see that Silvio is a born leader with the qualities of pride, arrogance and enormous conceit inherent in most such people. He really was the best until a young officer, a count by birth, appeared in his regiment. All the attention of the ladies' neighborhood spread to the young count; moreover, Silvio did not want to share power, influence, fame and success. He disliked the count with all his heart, found a reason for a quarrel and challenged him to a duel. The count shot first, but hit his cap. Silvio did not fire the next shot, reserving this right for himself. He understood perfectly well that the young count was not afraid of death and this would not make any impression, would not bring a lesson.
After 6 long years, when the count got married and settled down, he is visited by a mysterious guest who still has the right to fire the last shot. Fear envelops the count from the roots of his scalp to the tips of his toes.
The main character made a choice, and I think he did the right thing. He forgave the count and did not shoot. This speaks of his prudence and honor, of the defeated pride and pride of youth, and of the fact that all the sins of youth must remain in youth.
Sample 4
At first glance, Silvio is a complex person, a tangle of contradictions. The narrator, a young officer, met him when a military unit was stationed in a provincial village. Silvio lived in a poor mud hut and wore shabby clothes. However, the decoration of his home was “a luxurious collection of pistols. In addition, he had many books, military books and novels. This indicated the diversity of his interests and the complexity of his nature. Silvio treated books in a rather strange way - he willingly gave them to read, but never demanded them back. However, he also did not return books taken from someone. Despite his obvious poverty, he “kept an open table for officers,” inviting up to ten people to visit and “decorating” the meal with a large amount of champagne.
Silvio had a gloomy character, but despite his tough temper and evil tongue, he influenced the minds of junior officers, who respected him for his experience, insight and some mystery. The fact is that he previously “served in a hussar regiment, and even happily. But no one knew the reason that prompted him to resign and settle in a poor place.” What amazed everyone most was the incredible shooting accuracy that Silvio showed. He practiced this art every day, and the walls of his mud hut were dotted with bullet marks.
A series of subsequent events greatly changed the officers' attitude towards Silvio. When, while playing cards, he was insulted by one of the players and almost did not react to this, everyone was waiting for a challenge to a duel. But he wasn't there. Among the officers, such behavior was considered cowardice, but no one dared to blame Silvio for this. The narrator suffered the most, having become attached to the owner of the house. And only on the eve of Silvio’s sudden departure they had a frank conversation that clarified the essence of the matter.
There are people for whom their own importance in the eyes of others becomes the main feeling. And such a person is capable of any meanness in order to humiliate the offender who hurt this feeling. Six years ago, when Silvio was a hussar and a recognized leader among his colleagues (both in drinking alcohol and in duels, relationships with women and “coolness” of character), a new officer appeared there, brilliant in all respects. He was young, handsome, smart, belonged to a famous family, had selfless courage and a cheerful disposition. Besides, he was rich. “My primacy has been shaken,” Silvio decided. And he hated his rival, rejecting the offer of friendship. It was then that his petty and vindictive nature fully manifested itself. Seeing the attention paid to his opponent by women at one of the balls, he rudely insulted him, for which he received a slap in the face.
A challenge to a duel followed. Having conceded the right of the first shot to the enemy, in order to calm down and not make a mistake, Silvio waited. The enemy did not show any trepidation, he shot through his cap... and continued to eat cherries. The young man’s ostentatious indifference infuriated Silvio to the limit. And then he made the most vile decision of his life - to wait for the moment when the enemy had something to lose, and then continue the duel. He waited six years. Continuously improving your art of shooting, without getting involved in fights... And now this moment has come - the enemy is happily married! Silvio arrived and demanded that the duel continue. At the same time, he was stalling for time, prolonging the torment of the enemy... He shot first and shot through the painting. Ignoring the despair of the young woman who ran at the sound of the shot and fell at his feet, Silvio enjoyed revenge by engaging in mocking conversations. And only when the enemy became indignant, Silvio came out, shooting through the picture - bullet to bullet. Petty envy was finally satisfied.
Other works: ← What the novel Dubrovsky makes you think about↑ PushkinAccording to the poem The Prisoner of Pushkin →
Silvio's essay in the story Shot
“The Shot” is one of the stories in the “Tales of the Late Belkin” series, written by Alexander Sergeevich Pushkin. One of the main and most pleasant characters for the reader is Silvio.
Silvio lives in the area around the stationed regiment. People have the best impression of him because he is noble, honest, generous, hospitable and kind, but there is also something about him that many people admire, and some are annoyed by - a mystery.
Silvio invites all the officers to his house, treats them to food and champagne, allows them to play cards and linger for a long time, listening to stories from their lives, thus easing the sore souls of the officers. But to all questions about himself, about his personality, past, and so on, our hero remains silent, which causes an aura of mystery around him. The most curious of his acquaintances are trying in every possible way to remove this halo, to see the real Silvio, to see what he is hiding, but their inquiries are not crowned with success. And, as happens in Rus', if you don’t know something, start making guesses yourself, telling others about it, or simply, spread gossip.
Everyone knew that Silvio’s library was full of books on shooting techniques, everyone also knew that he was a born master of shooting, that he never missed, but no one had ever seen him in a duel, hence the theory of curious acquaintances: they think that Silvio was once the culprit of some unfortunate and terrible event.
After a letter arrives in the city, the main character decides to have a last dinner at his house and tells one officer the full story about himself. It turns out that when Silvio was young, he served in a regiment where a new officer, some kind of count, ended up. He was handsome, young and successful with women and in the service, and therefore Silvio became envious of this young man. When he challenged the count to a duel, he calmly ate cherries while preparing the central character of the story to shoot. This angered Silvio, and he decided to reschedule the duel. The second time he saw the Count as an older man, afraid to die because he had just married a beauty. Our hero did not shoot.
And at this moment in reading, the reader reaches the apogee of sympathy and love for Silvio, because such a noble deed could only be performed by a true knight, a man who has honor. Silvio did not forgive himself for the stupidity of his youth and carried it all his life in his soul, which caused him discomfort and served as a reason for rumors in the city, but after telling the officer about himself, he seemed to repent and forgive himself. I think he feels better.
What is the fate of Silvio from the story shot. Essay about Silvio from Pushkin's story The Shot
Silvio is the main character of the story “The Shot,” which was written by the famous Russian writer Alexander Sergeevich Pushkin. From the very beginning, the narrator introduces him to us as a romantic nature. He is a noble, honest and strong man who is ready to confront the whole world.
A romantic hero always has a secret that weighs him down and prevents him from being happy. Such a person seems to be shrouded in an aura of mystery. However, usually the hero's life ends tragically due to the lack of strength to survive in the world of evil.
Pushkin endows Silvio with all the necessary traits and qualities that make him a romantic hero. First of all, this is demonstrated in the description of the portrait. The young man is sharp-tongued, gloomy and has a bad temper. He is not like other officers; he stands out significantly against their background. Silvio leads a strange lifestyle by the standards of those around him. He is thirty-five years old, and he communicates only with the military. Young officers respected the main character for his masterly hits on target. He was known as the best shooter.
Every romantic hero has his own secret, and Silvio had one too. This riddle became an obsession throughout his life. One day Silvio told his secret to a narrator with whom he had a good relationship. It turns out that once upon a time our hero refused a duel with an opponent who insulted him. It was clear to everyone that he could win, since no one shoots better than him. Everyone was perplexed and wondered why Silvio behaved the way he did.
When talking with the narrator, the main character was extremely honest. He explained that he did so not for noble reasons, but because of obligations that he had to fulfill. That is why Silvio had no right to risk his own life.
As it turned out, several years later, he served as a hussar in the regiment. Everyone admired him and listened to him until a handsome, successful and rich enemy came to the regiment. Silvio was jealous of him because he had a competitor. It seemed to the main character that his opponent had taken his place and therefore our hussar was looking for a reason to quarrel with him. Soon, at the ball, he was rude to the count and, according to the rules of that time, a duel should have taken place. The opponent fired first, and it hit Silvio’s cap. When it was the turn of the main character, the count stood calmly and ate cherries. This behavior hurt the hussar, because he wanted to hurt the enemy and make him suffer. Therefore, Silvio decided to postpone the shot until a better moment.
After many years, the main character had a chance to take revenge on the enemy and use his shot. However, here he decided to give his opponent one more shot. As fate would have it, the Count shoots first again, but he ends up in the picture. When it was Silvio's turn, the enemy's wife burst into the room, asking her to leave her husband alive. Seeing the frightened and humiliated count, the main character achieved his goal. This way we see the best traits of the character. He did not shoot the unarmed man and left him alive. It was enough for him to see the moral torment of his opponent.
Silvio's life ended like all romantic heroes. He died in Greece, where he was the head of a liberation detachment. The feeling of envy and the desire for revenge make our character a real person, but in the mask of romanticism. The romantic hero is always strong, so he cannot allow anyone to be better than him.
The work of the world-famous poet Alexander Pushkin, who created many remarkable and surprising works of talent and depth, had a huge influence on the development of the Russian language and literature. One of them is “Shot,” in which everything is interesting: the composition, the plot, and the main characters. The multi-level composition of Pushkin's work allows the author to introduce several narrators and a plot into the story, which turns out to be complex in its construction.
The author decides, right before the reader’s eyes, to transfer authorship to another person, on whose behalf the entire narration is told. Therefore, the entire story is narrated from the perspective of Ivan Petrovich Belkin. Pushkin did not think about this by chance, but in order to show reality more deeply and describe the morals that reigned at that time. Such “imaginary” authorship allows Pushkin to talk about the destinies of his heroes, to show their desires and dreams. Against the background of the fate of the heroes, a broad but generalized picture of Russian life in the nineteenth century is shown. All events of Pushkin’s work are subordinated to reality, that is, they are tied to a specific place and time period.
The main characters of Pushkin's story first fall in love. They are in love, and this state of theirs allows the author to show the plot of the main events of the plot. The main character of the story is Silvio. He is a former hussar and from Pushkin’s description it was clear that he was about thirty-five years old. But this experience only helped him, giving him some advantages. And his gloominess, his tough temper, and even his evil tongue greatly influenced the young and still inexperienced generation. But his main feature was that there was always some kind of mystery around him. For example, it surrounded his fate: little was known about him, he seemed to be Russian, but for some reason he had a foreign name.
Pushkin's hero also loved to read, but the books were either war books or novels. And if suddenly someone asked him for a book to read for a while, he gave it away with joy and never asked for it back. But if he took a book, he was also in no hurry to give it back, and more often than not he never returned it. Silvio's main occupation was pistol shooting. And the mystery that completely surrounded this hero became the reason that everyone was interested in him.
But in Pushkin’s story there is another character, whose name the author never reveals to the reader. It is only said about him that this man was from a rich and noble family. Silvio characterizes him this way: he has a lot, for example, youth, beauty, intelligence and wild gaiety, carelessness and courage, a loud and noble name and money, which he always had and he was not afraid that someday it might run out. By the way, the money was never transferred from him. And now such a hero appears in the society where Silvio existed. For this society everything was strange and distant. Silvio honestly says about himself that he immediately began to hate him. And his successes among other colleagues or in women's society led him to despair. Therefore, very soon Silvio specifically began to look for a reason to quarrel with him. And he found it!
This character is not only central to Pushkin’s story, but also connects several plot lines and their movement. Already at the very beginning of the plot, it is emphasized how indifferent Silvio’s opponent is in the duel scene. This is how the author describes him: when he stood at gunpoint, which was pointed at him, he was also holding a cap in his hands. There was a cherry in it. He calmly took out one berry from there, put it in his mouth, and then spat out the seeds, which flew to Silvio. Such indifference of the enemy could not help but infuriate Silvio. But already in the finale, the author also shows the confusion of his main character, whose hair even began to move and stood on end.
Of course, dreams of revenge never leave Silvio for a minute. Honor becomes the main thing for him, because the previous insult has not yet been avenged. That is why the duel is not over. For the main character it continues. But the author shows that at the end of the story he will finally be able to have fun. The reader sees that the main thing for him was not to kill his opponent, the enemy whom he hated so much, but he needed to calm his pride. He even refused to shoot the one he had just recently wanted to kill.
When he offered to take his shot, he refused, explaining that it was enough for him to see the confusion and even timidity on his opponent’s face. It was enough for him to catch this indifferent and calm man to make his shot and leave him alone with his conscience. Silvio understood perfectly well that this man had received a good life lesson and would remember it all his life. His conscience will remember all this.
Yes, Silvio did not kill his enemy, he did not need to. For Pushkin's hero, victory was important, and not how it would be achieved. Silvio saw the weakness of his opponent, and this was already a victory. He was able to triumph over his enemy without causing him harm. He simply humiliated him, trampled him, showed that he had superiority over him. Pushkin's main character shows the strongest fortitude, his power. His power is beautiful, beautiful, but at the same time it is destructive and frightening.
He is so proud that he simply forgets about the person. And this has its own special contradiction between noble honor, which belongs precisely to this time and to the people who lived then, and universal human values. Trying to triumph, Silvio brings grief to the count’s wife, who has nothing to do with their conflict. And therefore this feeling for the main character is evil and unpleasant. But the experiences of the Count and Countess will continue for a long time. But Silvio dies, albeit as a hero.
Yes, perhaps the author does not always choose extraordinary ways to resolve conflict situations, but reality helps resolve them. And Pushkin himself is trying to teach his readers how to approach life correctly: wisely, nobly, more tolerantly.
The story “Shot” was written by the famous Russian poet A.S. Pushkin. The main character of the story is officer Silvio. The story consists of two parts. In the first part, Silvio was about 35 years old. Mystery surrounded him because he often practiced shooting, but he himself did not shoot at anyone. We learn that he used to be a hussar and then retired. He had an influence on young people. When they talked about duels, Silvio was always silent. If he was asked if he had fought, Silvio would answer yes. But from his answer it was clear that such talk was unpleasant to him. Soon Silvio had a quarrel with an officer who wanted to challenge him to a duel. Silvio refused, although this had a bad effect on his relations with the young officers. After all, they valued courage, bravery, and the ability to stand up for themselves most of all. We then learn about Silvio's past. He says that he once served in a hussar regiment. There he quarreled with the young count. During the duel, Silvio refused to fire his shot because the young count, standing under the pistol, was picking ripe cherries from his cap and spitting out the seeds. Silvio didn't like it. Then he planned revenge: Silvio would shoot, but only when the young count was afraid to die. Soon Silvio receives a letter saying that the young count has gotten married. Silvio is excited. The thirst for revenge takes over him completely. The author writes that he “began to walk back and forth across the room, like a tiger in its cage.” Later we will learn the continuation of this story. Silvio did not simply kill the young count, who had recently married. Silvio, despite his character, was a noble man. He told the count: “It still seems to me that we are not having a duel, but a murder: I am not used to aiming at an unarmed person. Let's start again...” The Count fired first and hit the picture. When Sipvio began to aim, the count's wife came running and began to ask not to kill her husband. Silvio showed nobility and mercy. He took pity on the count's wife and did not destroy their happiness. Although I think that Silvio's character did not allow him to openly admit mercy. He said to the count: “I am pleased: I saw your confusion, your timidity; I made you shoot at me, I've had enough. You will remember me." After some time we learn that Silvio died in the war. This is how the work of A.S. ends. Pushkin "Shot".
The story “Shot” opens “Belkin’s Stories” by A. S. Pushkin. It tells about a seemingly insignificant incident in the life of the main character. For many years he sought revenge on one person. As a result, when such an opportunity presented itself to him, the hero refused it. This main character is Silvio. We meet him at the very beginning of the story. The narrator introduces him to us as a romantic hero. In romantic literature, there is a certain type of hero. This is a man, noble, strong and honest, who confronts the world around him. Often this hero acts in an exotic environment and performs heroic deeds. The portrait of a romantic hero is also created in romantic tones. He often has masculine facial features and romantic pallor. The romantic hero is always shrouded in an aura of mystery, some kind of mystery trails behind him. He may have a sad or tragic secret in his past that weighs on his soul and does not allow him to be happy. As a rule, the life of a romantic hero ends tragically. He dies because he does not have the strength to live in a world of evil, deception and vulgarity. Silvio is written as a romantic hero. This is confirmed by his portrait: “his usual gloominess, harsh disposition and evil tongue had a strong influence on our young minds.” Silvio is different from the officers around him and stands out from the crowd. He is about thirty-five years old and, by the standards of ordinary people, leads a strange lifestyle. Not being a military man, he communicates only with them, lives wastefully and meagerly at the same time. Silvio had one trait that can be called talent and for which the young officers respected him so much. This hero was a masterful shooter, always hitting the target from any position. Silvio also had his own secret, which determined his whole life and became his obsession. Silvio told this secret to the narrator, for whom he had sincere sympathy. Being a marksman, the hero refused a duel with the officer who insulted him. Everyone in the garrison was perplexed: why did Silvio do this? In a conversation with the narrator, he explained that he did not shoot himself out of noble motives. Of course, the hero could easily shoot his opponent. But he did not do this because he believed that he had a duty, an obligation that he must fulfill. Therefore, the hero has no right to risk his life. As it turned out, in his youth, when Silvio served in the hussars, he had a rival who later became his enemy. This rival was handsome, smart, rich, witty, and successful in all matters. Silvio envied him because he was always used to being first in everything: “I hated him. His successes in the regiment and in the society of women led me to complete despair.” This young man took his place. At least that's what Silvio thought. Therefore, he did not accept any signs of friendship or reconciliation from the count. Silvio was deliberately looking for a quarrel with him. Finally, he achieved his goal: he was rude to the count at the ball. A duel was scheduled. The right to fire the first shot fell to Silvio's opponent. He took aim and hit the hero's cap. It was Silvio's turn to shoot. But the count behaved so calmly and at ease, eating cherries while awaiting his fate. Silvio most of all wanted to hurt his opponent, to hurt him, so that he would suffer spiritually in the same way as the hero himself. In the duel he did not have such an opportunity. Silvio still had his shot. He was waiting for an opportunity to take revenge. And now, many years later, his expectation came true. In the scene of the second duel, all the positive qualities of the hero are revealed. He couldn't just shoot an unarmed man. The opponents again cast lots, and the count again shot first. His bullet pierced the painting. Fate prevented Silvio from shooting. He saw the count frightened, confused, humiliated. This was more than enough for the hero. He had achieved his goal, so he no longer had to shoot. Silvio says to the count: “I won’t... I’m pleased: I saw your confusion, your timidity; I made you shoot at me, I've had enough. You will remember me. I commend you to your conscience." Silvio's life ended tragically. He died, and his death is also shrouded in a romantic aura. The hero was killed in Greece, where he led a liberation detachment. Silvio is a romantic hero, but the core of his character is realistic. What motivated him? Thirst for revenge and envy. He couldn't handle the fact that someone was better than him. This is weakness, and the romantic hero is always strong. Therefore, behind the mask of romanticism in this image there is a realistic character.
Silvio is the main character of the story by A.S. Pushkin’s “Shot”, which is included in the collection “Belkin’s Stories”. Like all romantic characters, he is an honest, decent man with magnetism, and his past is shrouded in an aura of mystery.
A regiment was stationed in the character's area of residence. The main character often invites officers to visit him and listens to their stories with great interest, while he is silent and extremely evasive when they start asking about his past. As often happens, such mystery attracts people to Silvio, as if teasing their curiosity. Those around him, especially those who are closely acquainted with the main character, cannot resist asking questions that, to their chagrin, remain unanswered.
Despite the fact that Silvio does not like to talk about himself, those around him know that he is a decent, honest man. Everyone in the area also knows that he is an excellent shooter. He never misses, and his library is filled with books on weapons and techniques for using them. However, despite his skill, he never shows it again; he never participates in officer duels.
Such a coincidence leads to rumors that Silvio was a participant in terrible events, after which he became such a strange and mysterious person. But everything changes when a letter unexpectedly arrives, after which the main character decides to leave, having a farewell dinner, at which he tells one of the officers the truth about himself.
While still young, he was serving in the same regiment when a new officer entered the service. Silvio immediately developed an antipathy towards his colleague; in fact, it was simple envy. The new officer was a young count, handsome, rich, successful with women. It seemed to the main character that he was worse than the newcomer, that he had taken away his championship in the regiment, and did not want to make friends with the newcomer. He was looking for a reason for a quarrel, and it appeared, a duel was about to take place. The Count fired first and hit his opponent's cap. But when Silvio took aim, the young count stood and ate a cherry. This outraged him, the main character became even more angry towards his opponent, and decided that he would not shoot now, but would wait for a more opportune moment for revenge. And he falls out. But everything has already changed: now the count is afraid of death. This is enough for Silvio.
After dinner with the officers, Silvio leaves. Again his life is shrouded in mystery, it is not completely known what happened to him, perhaps he died in the war.
What motivates the main character? Desire for revenge or envy? Although he is a romantic character, he is still a realistic hero. Like many, he experienced simple human feelings: he was consumed by envy, then the desire to take revenge for hurt pride, but he was able to overcome this, not allowing himself to commit the wrong act. And there is no stronger opponent than ourselves.
